Whose Story is it? Or the Return of an Old Literary Dilemma
The controversy surrounding Guerriero and Netflix reopens the dilemma of who a story belongs to: those who live it, those who write it, or those who disseminate it.
The controversy surrounding Guerriero and Netflix reopens the dilemma of who a story belongs to: those who live it, those who write it, or those who disseminate it.
Apocalyptic feminism as a symbolic and marketable product.
Nobel Prize in Literature (2025) to László Krasznahorkai.
The debate over whether reading makes us morally superior reveals that books are a critical tool, not a guarantee of virtue, in an era dominated by social media.
In Raynor Winn’s memoir ‘The Salt Path’ about her eviction and her husband’s illness, accusing publisher Penguin of negligence in fact-checking.
The Italian movement Svuota la vetrina consists of emptying bookshop windows by buying all their books, an act of cultural support that some criticize as mere ostentation.
Is Bloomsday the annual celebration where thousands of people pretend to have read ‘Ulysses’ in an eccentric display of scholarly masochism?
Artists and intellectuals: moral guides?
Spanish literature self-celebrates with irony, awards, and historical echoes.
Henry Betsey Jr., a Floridian passionate about 19th-century literature, maintained three simultaneous marriages and vast libraries in each home until his bigamy was uncovered.