The Bonfire as Literary Criticism
The burning of books as an identity ritual, a censorious gesture, and an involuntary parody of cultural criticism.
The burning of books as an identity ritual, a censorious gesture, and an involuntary parody of cultural criticism.
The emergence of the Aena Prize has sparked a curious phenomenon: the appearance of experts in literary prizes
Cuban literature is reduced to a farcical digital customs procedure.
An Antarctic scientist attacks his colleague for spoiling book endings, elevating the “spoiler” to the level of a Dostoevskian tragedy.
Literary paradox: only a few make a living from writing, but anyone can publish, in a charming absurdity.
The controversy surrounding Guerriero and Netflix reopens the dilemma of who a story belongs to: those who live it, those who write it, or those who disseminate it.
Institutional mediocrity and a lack of literary risk-taking in the choice of the Cervantes Prize symbolize the cultural domestication of the award.
Apocalyptic feminism as a symbolic and marketable product.
If the twentieth century believed in the solitary genius, the twenty-first prefers the television author. And the Planeta is a faithful mirror of the market.