Microscopic IV
The absurd, violence, and language from a fragmentary and corrosive imagination.
The absurd, violence, and language from a fragmentary and corrosive imagination.
The Ghost of J. C. Flores challenges criticism, the canon, academia, and the market in contemporary poetry today.
The link between poetry and madness; boundaries between art, pathology, and the social construction of genius.
Kafka’s tragicomic irony as a literary invention, linked to Virgilio Piñera, Baudelaire, and modern European criticism.
Criticism of Cuban linear narrative pedagogy, which ignores the avant-garde “art of not narrating” of Beckett, Borges, and Piñera.
An exploration of Beckett’s influence on Alejandra Pizarnik.
Poetry as a defense against academic arrogance, by virtue of a future of aesthetic reason.
Kitsch in Virgilio Piñera’s poetry as a parodic and subversive tool against literary sentimentality, in contrast to its unintentional presence in Borges and Lorca.