Manual for Quitting Writing
Literary paradox: only a few make a living from writing, but anyone can publish, in a charming absurdity.
Literary paradox: only a few make a living from writing, but anyone can publish, in a charming absurdity.
The controversy surrounding Guerriero and Netflix reopens the dilemma of who a story belongs to: those who live it, those who write it, or those who disseminate it.
Institutional mediocrity and a lack of literary risk-taking in the choice of the Cervantes Prize symbolize the cultural domestication of the award.
Apocalyptic feminism as a symbolic and marketable product.
If the twentieth century believed in the solitary genius, the twenty-first prefers the television author. And the Planeta is a faithful mirror of the market.
Nobel Prize in Literature (2025) to László Krasznahorkai.
Every fall, the press bets on the usual suspects, and every fall, the Swedish Academy comes up with a name that causes Wikipedia to crash.
The debate over whether reading makes us morally superior reveals that books are a critical tool, not a guarantee of virtue, in an era dominated by social media.
Famous bookstore chain expands: revival of reading or stage set for influencers?
What if the origin of HIV was not just a scientific question, but an institutional one?