Reading to Feel: Breath, Memory, and Joan Didion’s ‘Notes to John’
We read not to remember, but to feel: to remain suspended in that intimate proof that something—whether in the writer or the reader—is still breathing.
We read not to remember, but to feel: to remain suspended in that intimate proof that something—whether in the writer or the reader—is still breathing.
Resonances between Chassol’s music and Condé’s novel.
Marie-Louise Scherer’s ‘The Beast of Paris and Other Stories’ blends true crime with other cultural themes, all told in a defiant and lyrical prose style.