Gestures Outside History. The Poetry of Leonel Rugama
Non-politicized gestures that fracture militant poetry and propose non-sacrificial community wanderings.
Non-politicized gestures that fracture militant poetry and propose non-sacrificial community wanderings.
Ivonne Ferrer explores the body as hybrid cartography, ontological provocation, and resistance to the ephemeral.
Salinger chose silence and squalor as an aesthetic and moral response in the aftermath of the war and the end of innocence.
Divergences and convergences between Valéry’s subtractive method and Lezama’s baroque exuberance to show the diary as a machine of thought and metaphysical creation.
Canetti’s antipathy towards T. S. Eliot based on aesthetic, religious and personal differences.
Lynnheage fuses human and digital elements to express the melancholy of the Anthropodigital Subject, caught between archival transcendence and existential servitude.
Foreword to ‘Aquí en esta primavera (Antología de juventud)’ by Dylan Thomas (Casa Vacía Publishing House, 2025).
True political stability does not arise from the ambition to rise, but from the deep understanding that the ruler acquires by descending into the reality of the people.
Joel Núñez’s refined abstraction in ‘Codified Reality’ contrasts with his tormented and grotesque expressionist period.