On the Art of Not Narrating (Miniature IX)
Criticism of Cuban linear narrative pedagogy, which ignores the avant-garde “art of not narrating” of Beckett, Borges, and Piñera.
Criticism of Cuban linear narrative pedagogy, which ignores the avant-garde “art of not narrating” of Beckett, Borges, and Piñera.
Tribute to Raúl Chibás, who links his heroic lineage with the tragic failed continuity of Cuban independence.
A tragic and visionary dandy, Baudelaire transformed the misery and splendor of Paris into poetry where the abyss becomes beauty.
An exploration of Beckett’s influence on Alejandra Pizarnik.
Irony in Barthes, that method of destabilizing the certainties of language, criticism, and discourse.
Lisyanet Rodríguez’s work transforms memory and pain into an ontological exploration of humanity, where painting is a form of resistance against forgetting.
Lezama sees El Greco as a Baroque painter who fused Venetian and Castilian styles, transcending into modernity.
Aristotle subordinates negativity to an affirmative ontology of potentiality and actuality, founding a tradition that prioritizes difference and becoming over being/non-being.
Krasznahorkai’s trance-like, apocalyptic prose transforms collapse into a spiritual aesthetics that bridges Western ruin and Eastern contemplation—while risking a slide from lucidity into resigned nihilism.
The reintroduction of the feminine principle (Yin) served as a structural correction that gave shape and stability to the Han dynasty after the collapse of the absolute masculine power (Yang) of the Qin.