Jonathan Edax Questionnaire: Hugo Fabel
A variation on the “Proust Questionnaire.” For those who believe that reading is a sacred act, an incurable disease, or an elegant substitute for social skills.
Inquisitions
Inquisitions
Inquisitions
Jonathan Edax Questionnaire: Daniel Duarte de la Vega
A variation on the “Proust Questionnaire.” For those who believe that reading is a sacred act, an incurable disease, or an elegant substitute for social skills.
Inquisitions
The Girls Of Cinema And War
An Interview with Anne Greenberg, author of ‘The Incredible But True Life of Terry Guttmann: A Holocaust Survivor’s Memoir’.
Inquisitions
Alfredo Triff: “For the decadent, it is reality that imitates art”
The dandy as aesthetic insurrection: mask, myth, and style in times of uniformity.
Inquisitions
Edwin Reyes Zamora: “Every ‘renewal’ movement starts with destruction”
‘Psicofonía’, a book conceived as a fragmentary and spectral device where language confronts its own limits to reveal the unspeakable.
Inquisitions
Jonathan Edax Questionnaire: Javier L. Mora
A variation on the “Proust Questionnaire.” For those who believe that reading is a sacred act, an incurable disease, or an elegant substitute for social skills.
Inquisitions
Zulema Gutiérrez: “I believe in the profoundly liberating possibility of poetry without a self”
Writing like disassembling a body: conversation with Zulema Gutiérrez about her latest book.
Inquisitions
Inti Yanes-Fernández: “Rediscovering the human and the divine through AI: the next big thing”
A reflection on the existential urgency of confronting digital alienation and human essence in the age of AI, glimpsing in cyberspace a paradoxical theological hope for redemption and de-alienation.
Inquisitions
Nelson Llanes: “I don’t believe in the honesty of writers”
Nelson Llanes delves into how his novel establishes the pig as a central symbol to explore, through a sober and fragmentary style, the unyielding violence and ambiguous human condition without promise of redemption.
Inquisitions
Ana G. Ramos: “Modern poetry is facing its own irrelevance”
Ana G. Ramos talks to us about the agony of modern poetry: an irremediable glitch in the matrix of human irrelevance.