Critical edition of ‘Los alivios de Casandra’ by Castillo Solórzano, a Baroque work featuring romantic novels, satirical comedy, and a lipogram without the letter “a,” written in a melancholic and virtuosic style.
An analysis of the formation of myths in the post-revolutionary Cuban imagination, through an examination of stereotypes in Kelly Martínez-Grandal’s stories about sensitivity, communism, and exile among Cubans and Russians
Prudish presentism, sensationalist simplifications, and biological reductionism in historical and evolutionary interpretations.
An exploration of memory, home, and fleeting time, preserving experiences as a gesture of love.
Wendy Guerra’s latest novel marks a departure from the ontological depth and political urgency of her earlier work, embracing a cinematic surface where memory, exile, and identity risk dissolving into aesthetic gesture.
A book by Luis Felipe Rojas that intertwines memory, resistance, and literature, from his youth in Cuba to his exile, marked by scars and a passion for books.
When the body becomes alien and science breaks down identity.
Resonances between Chassol’s music and Condé’s novel.
A major Baroque work that transforms folk tales into a stylistic laboratory of formal exuberance, narrative impurity, and a fusion of the grotesque and the sublime.
The ink hummingbird as a central metaphor for writing, creative flight, and mythological connections in Federico de la Vega’s work ‘Noche cerrada’.
