Abstract Language in the Painting of Andrew Arocho
An artwork that articulates a hybrid abstraction as a gestural, semiotic, and prelinguistic language, charged with memory.
An artwork that articulates a hybrid abstraction as a gestural, semiotic, and prelinguistic language, charged with memory.
A quartz marked with aleph reveals Kabbalah as creative language, infinite combinatorics, and interpretive experience.
Analysis of Mark Lilla’s reactionary thought and its relevance to the ongoing Cuban crisis.
The irony arises when language and thought become separated, establishing the literary realm as a space of masks, deception, and fundamental dissonance.
Image: Detail of the painting on the lid of an Attic lekanis in the red-figure style: Penteus torn apart by Ino and Agave. Ca. 450–425 B.C. Louvre Museum.
The Ghost of J. C. Flores challenges criticism, the canon, academia, and the market in contemporary poetry today.
Transcendental Realism proposes understanding the world as a relational network where consciousness and meaning emerge.
In the annals of Cuban poetry, the work of Ángel Escobar is that point in the void that you feel narrowing, that flows.
The epic grants double death and promises absolute knowledge, but withholds it so that beauty does not destroy us.
The problem of sexuality rationalized as “identity” is seen as a contradiction inherent to Modernity.