Reading to Feel: Breath, Memory, and Joan Didion’s ‘Notes to John’
We read not to remember, but to feel: to remain suspended in that intimate proof that something—whether in the writer or the reader—is still breathing.
We read not to remember, but to feel: to remain suspended in that intimate proof that something—whether in the writer or the reader—is still breathing.
A literary procedure of healing that transforms pain and illness into poetic art, documenting the intimate experience of body and mind.
A romantic classic that explores destructive passions, revenge, and obsession between Catherine and Heathcliff in the Yorkshire moors.
‘Y la noche doblaba por tercera’: a daring fictionalized biography of Cuban baseball narrator Felo Ramírez, where reality and fiction merge.
Medo’s ‘Malincuor’ is a dense and playful book that blends family post-memory with European history in a metaphorical train journey, using humour, irony and kaleidoscopic language to create an active and lively read.
¿Una verdadera patria? commemorates and reexamines the relevance of Jorge Mañach’s 1925 cultural critique, bringing together essays and documents that contrast that intellectual republic with the ruin of the present.
Editorial Casa Vacía rescues Mañach from the commonplace and brings him up to date.
A visit to Tangier coincides with reading a guidebook by Shoemake.
The tsimtsum, Luria’s divine self-contraction to create the universe, and its kabbalistic legacy, analyzed by Schulte.
A poetic laboratory where word and image confront and balance each other to distill perception, eliminating ornamentation until only the tension between the visible and its void remains.